A beggar in the street I saw,
Who held a hand like withered claw,
As cold as clay;
But as I had no silver groat
To give, I buttoned up my coat
And turned away.

And then I watched a working wife
Who bore the bitter load of life
With lagging limb;
A penny from her purse she took,
And with sweet pity in her look
Gave it to him.

Anon I spied a shabby dame
Who fed six sparrows as they came
In famished flight;
She was so poor and frail and old,
Yet crumbs of her last crust she doled
With pure delight.

Then sudden in my heart was born
For my sleek self a savage scorn,–
Urge to atone;
So when a starving cur I saw
I bandaged up its bleeding paw
And bought a bone.

For God knows it is good to give;
We may not have so long to live,
So if we can,
Let’s do each day a kindly deed,
And stretch a hand to those in need,
Bird, beast or man.

– Compassion by Robert Service

O me! O life! of the questions of these recurring,
Of the endless trains of the faithless, of cities fill’d with the foolish,
Of myself forever reproaching myself, (for who more foolish than I,
and who more faithless?)
Of eyes that vainly crave the light, of the objects mean, of the
struggle ever renew’d,
Of the poor results of all, of the plodding and sordid crowds I see
around me,
Of the empty and useless years of the rest, with the rest me intertwined,
The question, O me! so sad, recurring–What good amid these, O me, O life?

Answer.
That you are here–that life exists and identity,
That the powerful play goes on, and you may contribute a verse.

– O Me O Life by Walt Whitman

JACK was a swarthy, swaggering son-of-a-gun.
He worked thirty years on the railroad, ten hours a day,
and his hands were tougher than sole leather.
He married a tough woman and they had eight children
and the woman died and the children grew up and
went away and wrote the old man every two years.
He died in the poorhouse sitting on a bench in the sun
telling reminiscences to other old men whose women
were dead and children scattered.
There was joy on his face when he died as there was joy
on his face when he lived–he was a swarthy, swaggering
son-of-a-gun.

– JACK by Carl Sandburg

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night
with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet
and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
To me the sea is a continual miracle,
The fishes that swim–the rocks–the motion of the waves–the
ships with men in them,
What stranger miracles are there?

– Miracles by Walt Whitman

In Wall Street once a potent power,
And now a multi-millionaire
Alone within a shady bower
In clothes his valet would not wear,
He watches bird wings bright the air.

The man who mighty mergers planned,
And oil and coal kinglike controlled,
With field-glasses in failing hand
Spies downy nestlings five days old,
With joy he could not buy for gold.

Aye, even childlike is his glee;
But how he crisps with hate and dread
And shakes a clawlike fist to see
A kestrel hover overhead:
Though he would never shoot it dead.

Although his cook afar doth forage
For food to woo his appetite,
The old man lives on milk and porridge
And now it is his last delight
At eve if one lone linnet lingers
To pick crushed almonds from his fingers.

– Bird Watcher by Robert Service

As I came to the edge of the woods,
Thrush music — hark!
Now if it was dusk outside,
Inside it was dark.

Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.

The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush’s breast.

Far in the pillared dark
Thrush music went –
Almost like a call to come in
To the dark and lament.

But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn’t been.

– Come In by Robert Frost

If anybody’s friend be dead,
It ‘s sharpest of the theme
The thinking how they walked alive,
At such and such a time.

Their costume, of a Sunday,
Some manner of the hair, –
A prank nobody knew but them,
Lost, in the sepulchre.

How warm they were on such a day:
You almost feel the date,
So short way off it seems; and now,
They ‘re centuries from that.

How pleased they were at what you said;
You try to touch the smile,
And dip your fingers in the frost:
When was it, can you tell,

You asked the company to tea,
Acquaintance, just a few,
And chatted close with this grand thing
That don’t remember you?

Past bows and invitations,
Past interview, and vow,
Past what ourselves can estimate, –
That makes the quick of woe!

– If anybody’s friend be dead by Emily Dickinson

A deed knocks first at thought,
And then it knocks at will.
That is the manufacturing spot,
And will at home and well.

It then goes out an act,
Or is entombed so still
That only to the ear of God
Its doom is audible.

– DEED – A deed knocks first at thought by Emily Dickinson

I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful ‚
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

– Mirror by Sylvia Plath

When the voices of children are heard on the green,
And laughing is heard on the hill,
My heart is at rest within my breast,
And everything else is still.
Then come home, my children, the sun is gone down,
And the dews of night arise;
Come, come, leave off play, and let us away,
Till the morning appears in the skies.

No, no, let us play, for it is yet day,
And we cannot go to sleep;
Besides, in the sky the little birds fly,
And the hills are all covered with sheep.
Well, well, go and play till the light fades away,
And then go home to bed.
The little ones leaped, and shouted, and laughed,
And all the hills echoed.

– NURSE’S SONG by William Blake